Paper Title
STUDY OF STORYBOARDING IMPORTANCE IN FILMS
Article Identifiers
Registration ID: IJNRD_198113
Published ID: IJNRD2306045
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Keywords
STORYBOARD , FILM EDITING
Abstract
Different theories are being investigated, and analysts want to convey their findings and organise their ideas into visual narratives. While some programmers have visualised various stages of their research and used free-form canvases to encourage the users to explore their ideas, others have employed algorithms to identify significant occurrences in their data. The tale needs to be laid down in a systematic manner, and a graphic layout strategy that highlights particular events is needed. We suggest utilising the 'storyboarding' idea for visual analytics. Utilising storyboarding techniques in the creation of movies enables directors and other crew members to visualise shots in advance and assess potential issues. Composition, views, transition, annotability, interaction, and separability are the six concepts we outline for storyboarding for visual analytics. These ideas serve as the foundation for the creation of epSpread, which we then apply to the microblogging data set from the VAST Challenge 2011 as well as the Twitter data from the 2012 Olympic Games. We cover the design decisions we made and the technical obstacles we faced when creating the epSpread storyboarding visual analytics tool, demonstrating the success of our approach and outlining the lessons we learned from using the technique. Film content creation for broadcast is a challenging task requiring a large team of professionals and specialised tools. Production teams are constantly under pressure to create content that is more innovative and creative while using fewer funds and staff members. There is still a disconnect between creative choices made on location and those made during digital editing and post-production, even while technologies are being developed for digitising and streamlining parts of the production workflow. In order to encourage team innovation, we describe a prototype tangible, tabletop interface that will be used on a movie set. It leverages a storyboard as a shared data representation. We explore our implementation, define creativity in terms of collaborative teamwork, and provide a description of a deployment in which the prototype was used by a professional production crew during a filming session. Then we discuss the effects of our design choices on the creative process of making films and the advantages of tangible, tabletop collaborative interactive displays in live film production. Finally, we detail a number of intriguing interactions that were seen.
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How To Cite (APA)
Hitesh Dua & Rahul Tiwari (June-2023). STUDY OF STORYBOARDING IMPORTANCE IN FILMS. INTERNATIONAL JOURNAL OF NOVEL RESEARCH AND DEVELOPMENT, 8(6), a427-a439. https://ijnrd.org/papers/IJNRD2306045.pdf
Issue
Volume 8 Issue 6, June-2023
Pages : a427-a439
Other Publication Details
Paper Reg. ID: IJNRD_198113
Published Paper Id: IJNRD2306045
Research Area: Arts
Author Type: Indian Author
Country: Rohtak, Haryana, India
Published Paper PDF: https://ijnrd.org/papers/IJNRD2306045.pdf
Published Paper URL: https://ijnrd.org/viewpaperforall?paper=IJNRD2306045
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