Copy Right in Film Industry in United states and India : A comparative study
The film industry stands as a beacon of creative expression, but its journey from script to screen is illuminated by a complex web of legal challenges associated with copyright. This research paper delves deeply into the complex legal environment that surrounds copyright in the film industry, emphasizing the various obstacles that arise during the production and distribution processes. It focuses into these challenges, seeking to comprehensively analyze their historical roots, legal definitions, and global regulatory frameworks.
It subsequently dives into the legal intricacies that crop up during the filmmaking process, such as the difficulties involved in acquiring script rights, obtaining location approvals, and signing talent contracts. Additionally, the study looks into the widespread problems with copyright infringement that plague the distribution phase, such as the frequency of unauthorized distribution channels and online piracy.
Through a comparative lens, this article highlights how various nations approach copyright in film, emphasizing the ever-expanding role of digital technology. Moreover, the indispensable role of the judiciary in preserving intellectual property rights is also scrutinized specially in interpreting the copyright laws and their efforts to implement the same through various landmark judgements. Ultimately, this article examines the policy and legal frameworks that currently govern copyright in the film industry and offers recommendations to strengthen the legal system, promote global collaboration, and support creative solutions that will strengthen the protection of filmmakers' intellectual property rights.
This comparative study examines the copyright laws and regulations governing the film industry in the United States and India. The paper analyzes the legal frameworks, key provisions, and notable cases in both jurisdictions, highlighting the similarities and differences between them. The study reveals that while both countries provide exclusive rights to copyright holders, India has a more restrictive approach to copyright, with a focus on protecting authors' rights, whereas the US has a more balanced approach, considering the interests of both authors and users. The paper discusses the implications of copyright laws on the film industry, including issues of piracy, fair use, and creative freedom. It concludes by suggesting potential reforms and best practices for the film industry to navigate the complex landscape of copyright laws in both countries. The study contributes to the ongoing debate on copyright reform and provides insights for policymakers, legal scholars, and industry stakeholders seeking to understand the nuances of copyright laws in the film industry
"Copy Right in Film Industry in United states and India : A comparative study", IJNRD - INTERNATIONAL JOURNAL OF NOVEL RESEARCH AND DEVELOPMENT (www.IJNRD.org), ISSN:2456-4184, Vol.9, Issue 10, page no.a131-a145, October-2024, Available :https://ijnrd.org/papers/IJNRD2410019.pdf
Volume 9
Issue 10,
October-2024
Pages : a131-a145
Paper Reg. ID: IJNRD_301054
Published Paper Id: IJNRD2410019
Downloads: 00044
Research Area: Science and Technology
Country: Firozabad, Uttar Pradesh, India
ISSN: 2456-4184 | IMPACT FACTOR: 8.76 Calculated By Google Scholar | ESTD YEAR: 2016
An International Scholarly Open Access Journal, Peer-Reviewed, Refereed Journal Impact Factor 8.76 Calculate by Google Scholar and Semantic Scholar | AI-Powered Research Tool, Multidisciplinary, Monthly, Multilanguage Journal Indexing in All Major Database & Metadata, Citation Generator
Publisher: IJNRD (IJ Publication) Janvi Wave
